A conversation on strategies, activism, and liberatory futures with Sora Han, Adrienne Maree Brown and Savannah Shange
Tue, 05/11/2021 – 4:00pm to 5:30pm
Visualizing Abolition, the year-long program featuring artists, activists, scholars, and others united by their commitment to the vital struggle for prison abolition, concludes with a conversation on strategies, activism, and liberatory futures with Sora Han, Adrienne Maree Brown and Savannah Shange.
Visualizing Abolition is a series of online events organized by Professor Gina Dent, Feminist Studies and Dr. Rachel Nelson, Director, Institute of the Arts and Sciences. The events feature artists, activists, and scholars united by their commitment to the vital struggle for prison abolition. Originally, Visualizing Abolition was being planned as an in-person symposium. Due to the ongoing pandemic, the panels, artist talks, film screenings, and other events will instead take place online. The events accompany Barring Freedom, an exhibition of contemporary art on view at San José Museum of Art October 30, 2020-June, 2021. To accompany the exhibition, Solitary Garden, a public art project about mass incarceration and solitary confinement is on view at UC Santa Cruz.
Sora Han is the Director of the Culture & Theory Ph.D. Program at UC Irvine, and an Associate Professor of Criminology, Law and Society with courtesy appointments in the School of Law and African American Studies. Her first book, Letters of the Law (Stanford University Press 2015), extends the theoretical insights of critical race theory to produce new readings of American law’s landmark decisions on race and civil rights. She is also the co-author of the law casebook, Comparative Equality and Anti-Discrimination Law, Third Edition (Edward Elgar Publishing 2020). She is currently working on two books: Slavery as Contract: A Study in the Case of Blackness, which brings together poetics, contract law and afro-pessimist theory to think beyond the property metaphor of slavery; and Mu, the First Letter of an Anti-Colonial Alphabet, an experimental text on the “anagrammatic scramble” (Nathaniel Mackey) of the unconscious materiality of abolitionism. Recent publications on these new lines of research include “Slavery as Contract,” in Law and Literature (2016) and “Poetics of Mu” in Textual Practice (2018).
Adrienne Maree Brown is the author of Pleasure Activism: The Politics of Feeling Good, Emergent Strategy: Shaping Change, Changing Worlds and the co-editor of Octavia’s Brood: Science Fiction from Social Justice Movements. She is the cohost of the How to Survive the End of the World and Octavia’s Parables podcasts. Adrienne is rooted in Detroit.
Savannah Shange is an Assistant Professor of Anthropology at UC Santa Cruz and serves as principal faculty in Critical Race & Ethnic Studies. Her research and teaching interests include state violence, late liberal statecraft, multiracial coalition, ethnographic ethics, queer politics, and abolition. Her book, Progressive Dystopia: Abolition, Anti-Blackness and Schooling in San Francisco (Duke 2019) is an ethnography of the afterlife of slavery as lived in the Bay Area.
Visualizing Abolition is organized by UC Santa Cruz Institute of the Arts and Sciences in collaboration with San José Museum of Art and Mary Porter Sesnon Art Gallery. The series has been generously funded by the Nion McEvoy Family Trust, Ford Foundation, Future Justice Fund, Wanda Kownacki, Peter Coha, James L. Gunderson, Rowland and Pat Rebele, Porter College, UCSC Foundation, and annual donors to the Institute of the Arts and Sciences.
Partners include: Howard University School of Law, McEvoy Foundation for the Arts, Jessica Silverman Gallery, Indexical, The Humanities Institute, University Library, University Relations, Institute for Social Transformation, Eloise Pickard Smith Gallery, Porter College, the Center for Cultural Studies, the Center for Creative Ecologies, and Media and Society, Kresge College.